The title is a portmanteau of ” nymphette ” and ” amphetamine “, [1] and Dani Filth explained it as referring to “a drug-like addiction to the woman in question, with her insidious vampire qualities literally bringing her lover back from the brink of the spiritual grave, only to bury him further on the strength of a whim. Amazon Advertising Find, attract, and engage customers. There is absolutely no substance to it ever, many cliches are apparent and none of them sound like they fit the song anyway. This track concerns itself with the priest and high priestess of a witch cult, who, through their utter devotion to themselves and the dark arts, conspire to invoke ancient forces from their graveyard slumbers, remaining as carnal gatekeepers in the interim. See all reviews.

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Tempos here varied and for the most part they were quite mild.

Well, I must say it is no wonder many more traditional black metal fans turn up their noses to this album in particular when they start at the logical place – the beginning. The bass follows the rhythm guitars. Finally the keyboards are just alright.

Maybe they were just too bored to sit down and write some more music, preferably ynmphetamine variable than what they did. A Special Edition of the album was released inwith an extra disc featuring two new songs, an alternate version of the title track, three cover songsa guest appearance by King Diamond and a CD-ROM of the “Nymphetamine” promo video. But the reason i gave 4 stars is because due to i guess the manufacturing of the cd, Not the seller’s nymphetamjne, the second album last three songs are unplayable.


Cradle ny,phetamine Filth — Nymphetamine: Admittedly, this album IS more metal than Dusk, because the guitars often become more prominent, but this makes the album no better, let alone forgivable.

The first is King Diamond, perhaps an album like ‘The Eye’ or one of the later 90s releases.

Cradle Of Filth – Nymphetamine (EX) – Music

Needless to say, Dani and Co. To further this, the vocals and lyrics really aren’t that great. The vocal delivery has never been more sharp. I just like the music. Add your thoughts Comments. The song just takes forever to end, you think they are gonna finish, but then they start up again. The precise moment when Cradle Of Filth fell off is probably right after ‘Midian’. Don’t get me wrong, skillful use of keyboards can really add to a band’s sound.

This song opens with a few measures of piano keyboard notes, it alone sounds amazing, but what really makes this song is how the piano keyboard continues when the rest of the band joins in. GfK Dutch Charts in Dutch. I still find enjoyment in an occasional listen and just might subject myself to this time and again for years to come. Audio CD Verified Purchase.

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There are still tremolo riffs on this album, but they bear more resemblance to Amon Amarth’s groovy, sweeping style than anything blackened or malevolent. Sample this album Artist Sample. The cool thing about this song is that it is really a beast of several parts: The raspy, dirty guitar of ‘Filthy Little Secret’ is propelled along both by clever, insistent melodies from the same book as Satyricon’s ‘Repined Bastard Nation’, but a little rockier and a sense of necessity, while ‘Medusa and Hemlock’ just about steals the show as a blustery, autumnal tune with a proper overdriven solo.


However, in all fairness, it is not totally undeserved. Dani sounds a little better here, and doesn’t layer the vocals as much. It simply can’t be done: The first notable aspect of this album nymphetamie that this is the last release in which Dani Filth utilizes the full potential of his voice. Cradle have never knowingly underdone nymphetamkne, right to the narration, choirs, and sound effects that crop up right from the start of this album.

Nymphetamine by Cradle Of Filth on Spotify

Here, however, they are used way too much, and are often competing with the guitars. The main hub of the song is very lovelorn and drowsily melodic and it is these traits combined with shared female and male vocal passages that serve to highlight the plight of this, the title track of the album.

COF’s riffs did neither. The song rolls into culmination with a really Slayer -esque finale. It is not memorable, inventive, creative, nor do you leave it wanting more. Half the time, you will think a song has ended, only to discover that it hasn’t, and you still have to endure another 3 minutes.